September 10, 2011
In the last installment of this blog I wrote about how recording in the studio can be an opportunity to really examine the precision, or lack of, in your playing. Over the past few weeks I have been doing a lot of recording work, with ALO and other artists, and added recording to my practice… [Read more…]
Posted in:
Comeback, Drumming, Effortless Mastery, George Foreman, Groove, Intention versus result, Kenny Werner, Learning, Master Study, Mastery, Music, Recording Techniques, Studio, Woodshedding
I’m in the middle of an extended run of recording sessions right now. Last week was a full four days at Light Rail Studios in SF laying down basics for Simon Kurth’s new project, “Huckle,” with Simon on various guitars and Mark Murphy on bass. Next week I continue with Huckle and then jump right… [Read more…]
The Master Studies project is well under way. I am continuing to focus on the wonderful teachings of Kenny Werner through his book, Effortless Mastery, and exploring the concepts of “interlocking Moeller strokes,” a form of arm and finger rebound strokes as they apply to “interdependence.” I’m going to post a more extensive article on… [Read more…]
Hi, dear readers. I’m fresh back from the High Sierra Music Festival where I played no less than five sets with a host of very awesome musicians including ALO, Tim and Nicki Bluhm, Scott Law, Josh Clark, Sean Leahy and a dead-ringer Mick Jagger look-alike. I had to learn a varied lot of new material… [Read more…]
Thank you to all the new subscribers and others who visited this blog last week! I hope you all keep dropping by to keep up on the project and talk drums. Although I plan on doing a whole blog entry on drummer jokes soon, I heard one this last weekend that I’m eager to share: What’s… [Read more…]
At the end of my last post about polyrhythms I mentioned four elements of drumming. These are areas that seem to be getting a “workout” as I practice drums and especially any material that is new to me. While I don’t claim these to be utterly conclusive, I have not found any other areas to… [Read more…]
Lately I’ve been studying polyrhythms for the drum set with one of the foremost teachers on the subject- Peter Magadini. A polyrhythm is defined as two corresponding, simultaneous but loosely related rhythms based on a mixture of subdivisions such as even (8th notes, 16ths) and odd (triplets, quintuplets, septuplets, etc.). Thinking contrapuntally, all contrapuntal rhythms… [Read more…]
Welcome to my brand new blog. After sifting through dozens of very unsexy, unfunky page styles I finally settled on this one. It’s called “Inuit Types.” I picked it because I liked the name. Reminds me of “Inca Roads,” the great Zappa song. (Did – a – vehicle, didavehicle-didavehicle?) I am creating a self-designed program… [Read more…]
August 24, 2011
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